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Linton Archive
Photoxylography
Alexander Roob
Introduction / Einleitung
Dezember 2010
Carl von Lützow ed.:
Der Holzschnitt der Gegenwart in Europa und Nord-Amerika.
Vienna 1887
Div.:
February 1880
Div.:
The Atlantic Monthly Vol. 43 ,
Boston 1879
Div.:
New York 1877
Div.:
New York 1878
Div.:
Poems & Songs by Robert Burns.
London 1861
Div.:
Proofs from Scribner's Monthly and St. Nicholas: A Portfolio of Proof Impressions Selected from Scribner's Monthly and St. Nicholas.
New York 1880
Estelle Jussim:
Visual Communication and the Graphic Arts: Photographic Technologies in the Nineteenth Century.
New York - London 1974 / 1982
Gerry Beegan:
The Mass Image: A Social History of Photomechanical Reproduction in Victorian London.
Houndsmills / New York 2008
Henri Roussau de. / L. Seriakoff sc.:
Portrait of Eugene Delacroix.
n.p. ca. 1880
Henry Wolf:
Album.
New York, ca. 1880 - 1916
John Greenleaf Whittier:
Poems of Nature. Illustrated from Nature by Elbridge Kingsley.
Boston and New York 1886
John Jackson / W.A. Chatto / G. Bohn:
A Treatise on Wood Engraving (with a new chapter on the artists of the present day).
London 1838 / 1861
Max Osborn:
Der Holzschnitt.
Bielefeld / Leipzig 1905
Thomas Ketelsen, Alexander Roob ed.:
Zur Hölle mit der Linie. Die Fotografik der New School of Wood Engraving
Cologne 2012
Various:
The Art Journal. New Series volume 1.
New York 1875
William James Linton:
Thirty Pictures by deceased British Artists engraved expressly for the Art Union of London by W. J. Linton.
London 1860
William James Linton:
Wood- Engraving. A Manual of Instruction,
New Haven, 1884
William M. Ivins:
Prints and Visual Communication.
Chicago 1953
William M. Laffan and Members of the Society of American Wood-Engravers:
Engravings on Wood by Members of the Society of American Wood-Engravers.
New York 1887