Ruskin
- William Abercrombie (with the support of William Harcourt Hooper): A Scrapbook on Wood Engraving. Ashton upon Mersey, 1880 – 1899
- Abbé de Lamennais (translated by W.J. Linton): Modern Slavery. London 1840
- Alexander Roob II The Brantwood Years (1849 – 1866)
- Alfred H. Miles ed.: The Poets and the Poetry of the 19th Century. Vol. IV. London 1892 /1905
- Gerry Beegan: The Mass Image: A Social History of Photomechanical Reproduction in Victorian London. Houndsmills / New York 2008
- John Ruskin: On the Nature of Gothic Architecture: and herein of the True Functions of the Workman in Art. Reprinted from the Sixth Chapter of the Second Volume of Mr. Ruskin's "Stones of Venice". London 1854
- John Ruskin: Ariadne Florentina - Six Lectures on Wood and Metal Engraving with an Appendix. Given before the University of Oxford, in Michaelmas Term, 1872. London 1872 / 1890
- Ray Watkinson: Thomas Bewick, 1753-1828: Artist, Naturalist & Radical (Our History Pamphlet No. 25). London 1962
- Thomas Carlyle: Past and Present and Chartism. New York, 1847
- William Bell Scott: Half Hour Lectures on the History and Practice of the fine and ornamental Arts, London 1861 - 1867 - 1874
- William James Linton aka A.W., of the Middle Temple, Gent: Heart Easings. Gent. (1595). reprinted liberatim from a copy, supposed unique, in the British Museum, London: T. and J. Allmann, Princes Street, Hanover Square, 1824. Hamden / CT 1882
- William James Linton ed.: The English Republic. (4 series) Leeds – London - Brantwood. 1850-55
- William James Linton: The Ferns of the English Lake Country. London 1865
- William James Linton: Specimens of a New Process Of Engraving for Surface-Printing, London 1861
- William James Linton: The Princes´ Noses. A Modern Idyll. n.d. / n.p. (Hamden, ca. 1880)
