What´s Come Over Old Woolworth? (Fortune, January 1969) “There are assignments for `Fortune´, where I am realistically and symbolically going up the corporate ladder at Woolworth´s. It starts with the stockboy, and I use chairs as a metaphor for power. The chairs become more and more elaborate as we go to top. The drawings where rendered from life. (…) As for process, essentially there is not a hell of a lot of transformation between the sketches and the finishes. I´ve actually made the pictures more decorative. My sketches are notes, and the color variations stay in the mind. I make the drawings without colours, and later simply bathe the picture in what I remember to be the proper light.” (Robert Weaver in conversation with Steven Heller, 1986) The original drawings: 27,5 x 35,5 cm, pencil on paper. (MePri-Collection)
Alexander Roob’s “History of Press Graphics. 1819-1921. The Age of Graphic Journalism” is out now. (Taschen Cologne, Hardcover, 24.6 x 37.2 cm). In over 600 pages, this far-reaching compendium presents press illustration and graphic journalism as a distinct and unique genre and a laboratory for developing avant-garde aesthetics. The images are largely taken from the […]
What sails here under the flag of caricature is nothing other than an early form of blunt and bleak social realism. The group makes a powerful and monumental impression, misery in the dimension of a history picture, and that’s exactly how it was meant to be. The publisher of La Caricature, Charles Philipon, like most […]
Heavenly Zo / INRI becomes ISO / Swabian and Lorraine Somnambulism Heavenly Zo Richard’s emblematic sexual symbolism originated in the theurgic Neoplatonic geometry of Alexandrian late antiquity and had found its way from there into Jewish mysticism and Hermeticism. The most famous example was the Seal of Solomon, the hexagram, which consisted in the interpenetration […]