Theo Matejko’s dynamic and sensationalist style, which had a lasting influence on press graphic culture from the early 1920s onwards, was significantly influenced by cinematic views. The fact that he was commissioned by the UFA in 1924 to sketch the shooting of Murnau’s silent movie The Last Laugh (1924) underlines this connection. In this groundbreaking […]

Frédéric Ehlers is an infinite number of authors who use the pen to explore the expanse of the sheet of paper and who cross the three-dimensional space with their rhythmically movements in an analogous manner. The selection of drawings is counteracted here by film stills of his Movement Research. “You are very interested in arts” […]

After Nadar had to cease his own magazine Revue Comique due to new censorship laws under the presidency of Louis Napoléon, he continued to work for Charles Philipon. In his quarterly pictorial review series for Philipon’s newly founded Journal pour rire, he also commented on the increasing severeness of police measures, which only shortly afterwards ended in […]

The popular Salon caricatural-series “Nadar Jury”, which he created in collaboration with the history painter Alfred Darjou for Charles Philipon’s new cartoon magazine “Journal amusant”, reveals Nadar’s critical attachment to the contemporary art scene. In 1863 his enthusiasm for aerial photography got a setback when his giant balloon “Le Géant” crashed on a field near […]

The photographic studio that Nadar ran since 1855 did not prevent him from continuing his press-graphic work. The following year, he supported his friend Charles Philipon in the publication of a smaller offshoot of “Journal pour rire” as a co-editor and chief cartoonist.

Before he became famous as a society photographer, a ballonist and a patron of the Impressionists, Gaspard-Félix Tournachon was known under his penname Nadar as one of the most inventive French cartoonists of the era. In the revolutionary year 1848 the republican activist started to work for the caricature journal “Le Charivari” of his friend […]

High End Scan-Specialist Jürgen Seidel recently worked for weeks in the Institute´s collection to take pictures for a planned publication on the history of press graphics. Here are a few impressions:

From the early Eighties on George Montbard became mainly known for his illustrated travelogues from the Greater Maghreb. But he was also a wanted editorial illustrator, who managed to translate the blurred photographs and rough sketches of his collagues into exciting and catchy graphics. He developed a very special mastery in the field of the […]

George Montbard (real name: Charles Auguste Loye) was one of the most brillant and versatile illustrators of the 19th century. The staunch republican started his career as a political caricaturist during the imperial rule of Napoleon III. He worked for “La Rue”, the legendary antiautorical magazin of his friend Jules Valles. The anarchist author assembled […]

Alex Bodea´s “Visual notes” is an ongoing series of poetically condensed observations in the urban sphere combining image and text. The visual notes archive was started in 2012, comprising more than 2000 entries. Technique: ink on paper, 5,7 x 10,7cm.

Many of Louis Sabattier´s soft focussed photo-paintings for the French magazine L Illustration conveyed a ambiguous cultural – critical content. Especially his popular scenes of colonial tourism could easily be read as a subversive comment on the Eurocentric perspective of the oriental painting tradition of his teachers Jean-Léon Gérôme and Gustave Boulanger. Exoticism and alienness, […]

The trained history painter Louis Sabattier was one of the most interesting press illustrators of the late 19th century. None of the numerous accredited special artists managed to catch the tense atmosphere of the spectacular trials against Alfred Dreyfus and Émilé Zola in a comparable subtle way. Many of his soft focussed photo-paintings for the […]

Thirteen years before his coeval successor Wilhelm Busch began his career at the Munich “Fliegende Blätter”, young Gustave Doré had already established a mature and distinct Comic imagery in Charles Philipon´s groundbreaking “Journal pour Rire”. Doré´s Art of Comic was a livley blend of various influences: The loose improvised “romans en images” of Rodolphe Töpffer […]

In 1847, the pioneering publisher Charles Philipon launched a new graphic periodical. The success of his “Journal pour Rire”, which can be regarded as the world´s first Comic magazine, was based not least on the graphical inventiveness of the sixteen-year-old exceptional talent Gustave Doré. In the large folio pages “Doré proved himself master of three […]

Faits divers-coverart was a transformation of history painting into the realm of urban civil culture, with the middle class-reader as sovereign.

These first near-genocidal series of atrocities committed against the Armenian population were carried out during the reign of Abdul Hamid II, the last sultan effectively to rule over the Turkish state. The police responded to a demonstration held in Constantinople in September 1895 by Armenian political organizations which sought to pressure the government and the […]

“Illustration is an essential to great painting. Abstractness cannot be equated with it; it is merely the grammar.(..) Many illustrators of today are too little concerned with the actualities of their time. Too often they merely aid and abet the pre-sold illusion of the age.” (R. Weaver, 1959)”The state of the art of illustration might […]

The drawer has depicted 52 postillons in this travel book. If you leaf through the travel book quickly, it behaves like a movement picture. Some postillons are slumped on their saddles, others stand up afterwards, straighten up on their stirrups, or sway in their saddles; the whips sometimes stand still, and later draw dissolute movements. […]

Haejun Jo has lived in Nuremberg between 2009 and 2011. He has gathered his observations and experiences, especially stories connected to Albrecht Dürer, and has written them down in the form of dialogues. These he sent to his father Donghwan Jo in Korea who translated them into a pictorial version.

“Now as the Cries of London are sometimes the topic of conversation, the author of the present work is not without the hope of finding, amongst the more aged as well as juvenile readers, many to whom it may prove acceptable, inasmuch as it not only exhibits several Itinerant Traders and other persons of various […]

Hazem Alhamwi is both a visual artist and a film maker, author of the award winning documentary “From my Syrian Room”. The black and white drawings and paintings were made in Syria and vary in size. The coloured paintings were made in Berlin and their size is ca. 30 cm x 20 cm. The technique […]

In the first decade of the 19th century the bourgeoisie felt increasingly pestered by the exploding army of beggars and pedlars. A royal commission of inquiry was appointed to remedy this, and in 1815 published a first Mendicity and Vagrancy Report. The commission´s recommendations resulted in countering the problem of homelessness and beggary with strict […]

Zu Beginn des 20. Jahrhunderts publizierte der in Paris lebende tschechische Künstler Frantisek Kupka in Magazinen wie “Assiette au beurre”, “Le Canard Sauvage” und “Cocorico” einige furiose bildnerische Attacken gegen eine explosive Gemengelage aus ungehemmter Profitgier, Militarismus und Imperialismus, die überwiegend religiös legitimiert wurde. Seine kommentierte Bildfolge “Religions” war 1904 erschienen. Das Werk hat einen […]

The depiction of social conflicts, of strikes, riots and mobs was one of the main subjects of special artists and faits divers-painters at the turn of the century. Some of them became masters of pictorial mass choreography and cataclysmic sceneries.

“Remarks on Rural Scenery” was created by John Thomas Smith with the support of his student John Constable. It consists of a sequence of twenty etchings that were all made “after nature” and depict the most various kinds of rural housings for the poor on the periphery of the exploding metropolis of London. The places […]

Henrieke Ribbe belongs to the very few real masters in the empathic art of portraiture. Her documentation on the Berlin club Kater Holzig was created in 2013/14. Together with her fiancée Jake Basker (aka Jake The Rapper), then a resident DJ at Kater Holzig, she came up with the idea to paint the people behind […]

After his retirement as a drawing teacher in 1992 Jan Vegter (1927-2009) started to work intensely on the visualization of his memories of crucial periods of his life. To focuse his memory performance he decided to build detailed scale models of certain technical and topographic conditions. This amazing series was the first example of his […]

Rio was a pseudonym of Ralph Soupault (1904-1962), who became known in the 1920s as the leading cartoonist of the French nationalist reaction. Later on he joined the French fascist party PPF. Soupault was a supporter of the German occupying forces and became notorious for his anti-semitic propaganda. In 1946 he was arrested and sentenced […]

Rio was a pseudonym of Ralph Soupault (1904-1962), who became known in the 1920s as the leading cartoonist of the French nationalist reaction. Later on he joined the French fascist party PPF, which was led by the former communist activist Jacques Doriot. Like his friend, the groundbreaking novelist Celine, Soupault was a supporter of the […]

In this lively street scene illustrator Richard Caton Woodville cached a reference to his collague Melton Prior, the most popular special artist of the era, and whose traditional dress code. Richard Caton Woodville,’ Shower in Piccadilly’, Illustrated London News, 18 September 1886 (Kensington and Chelsea Public Libraries, photo Tom Gretton) Richard Caton Woodville,’ Shower in […]

The campaign at ROSTA ended at the beginning of 1921 with the departure of the director of the news agency Platon Kerzhentsev. Afterwards, it was continued for one more year with a stricter conception in didactical terms under the patronage of Glavpolitprosvet (GPP), a newly founded educational institution of the Ministry of Cultural Affairs. The […]

The ROSTA graphics were not only influenced by the already declining art of the classical avant-garde, but also by the then highly topical culture of American daily strips. Communism and comics were not oppositional camps in the pre-Disney era, quite to the contrary. Particularly the windows of Mikhail Cheremnykh reveal a conspicuous stylistic proximity to […]

In February 1919, caricaturist Mikhail Cheremnykh started an artistic campaign in an empty shop window with a visually designed report of the Bolshevist news agency ROSTA. Shortely thereafter the initiative was taken up by the popular poet Vladimir Mayakovsky. He selected most of the news items and prepared them for pictorial realisation. “The field of […]

“Les Apaches” can be considered as an early manifestation of rebellious youth culture in Paris. They were organized in street gangs with special idioms and dress codes very similar to those of the London costermonger-subculture. In 1907 “Le Petit Journal” called the ruffian Apaches “the sore of Paris. More than 30.000 blighters standing against 8.000 […]

Shooting finds its climax andcompletion on the Stommeln village green. In the remake of the novel, Haus zur Trapp, built in 1785 and in reality now a café and hotel, serves as the inn Don Quixote believes is a castle. The fair maidens standing at the door are actually “two young women, girls of the […]

A German/Hungarian Film, UCS Self Organizing CinemaDirection: Vera Poros, Kerstin KachelmannScreenplay: Georg WinterBased on the novel Don Quixoteby Miguel de Cervantes SaavedraShot in Ukiyo Real Time for the first time with “UCS Passive Acting” by Johnny Depp andChristopher Lee (both of whom were requested), reversed stunts at three locations: theStommeln windmill, the former drive-in theater […]

In September 2005, the German-Hungarian film production “Losing Horses / Veszítö Lovak” by Ukiyo Camera Systems moving pictures was shot at locations in Pulheim and Stommeln, not far from Cologne. Georg Winter´s Real-Time Recording Method attempted to create filmic situations (Self Organizing Cinema) based on the construction of the reality of “Don Quixote” by Miguel […]

Xiaopeng Zhou, born in 1985 in Guangzhou, has studied art the the Academy of his hometown until 2008, but is now living in Germany and about to complete his Master exam at Academy of Art Berlin-Weissensee. The pictorial is an excerpt from his 76-part series of reportage drawings created within four weeks – starting from […]

The first military conflict covered by the illustrated popular press after its foundation in May 1842 was a war in Afghanistan. But the depictions of the defeat of the British occupation forces in the Asian borderland, which was of equally vital strategical importance for the British as for the Russian Empire, were solely fictitious and […]

The works of Thuringian graphic artist A. Paul Weber were strongly influenced by the visionary imaginations of Alfred Kubin. In his main work, the graphic cycle “British images”, published in 1941, influences from Gustave Doré´s “London Pilgrimage” can be traced, as well as of those of other French illustrators such as Théophile Steinlen, Charles Léandre […]

-The key issue of the graphic portfolio created by the Hungarian artist Bencze László is the massacre near Sichon, North Korea, in the autumn and winter of 1950 with more than thirty thousand victims, mainly civilians. From the Communist side, these war atrocities were attributed to the American invading forces. Like Picasso’s famous painting Massacre […]

Special Artist Henri Durand-Brager had made a name for himself with an opulent documentation of the return of the remains of Napoleon I from foreign, British occupied soil to his homeland. Brager´s expedition report Sainte-Hélène was published in an impressive folio format in 1844. What is remarkable, is that the cycle completely disregards the actual […]

During the Second Boer War the prestige of the British Empire sank to an all-time low. The main reason was the establishment of concentration camps in South Africa as a measure against the guerrilla war led by the local farmers against the Empire. Over 26,000 Boers, mainly women and children, died of hunger and diseases […]

This Pictorial consists of a compilation of drawings that either did not find their way into Oliver Grajewski’s graphic novel “Der Tag im Moor” or found their way into it in a different form. The drawings are loosely arranged in the order of the narrated chapters. Ink and pencil drawings combine with digital photography and […]

Thomas Nast (1840-1902) started his career as a “special artist” at the age of fifteen. His pictorial journalism marked the peak of graphic art as far as its  influence and popularity in the 19th century is concerned. No artist was ever more successful in regard to the intensity, scope and lastingness of his political impact […]

“Fate intervened in the person of Betty Ambatielos, the indomitable Welsh schoolteacher wife of Tony Ambatielos, a prominent Greek Communist leader who faced execution by the regime of Marshall Papagos which ruled Greece in those days. I was asked to depict his trial against the background of Greece itself, the first victim of the Cold […]

Matthias Reinhold, author of the interactive illustrated encyclopaedia “Ikonlog”, conducted research in Venice in July and August 2012. The sketchbook on hand was created on August 9 at the Museum of Natural History. As in all museums and churches in Venice, taking photos is forbidden.

“Le Petit Journal” was the origin and the leading example of the faits divers press. “Somewhat analogous to a surrealist writing game, fait-divers reportage was an impersonal form of literary production that owed everything to the coincidental arrangement of its sentence elements.” (Robin Walz, Pulp Surrealism) The cover illustrators of” Le Petit Journal” created congenial […]

In her extensive cycle of graphics, which she began with in 2011, Manuela A. Beck references in a free associative manner motifs drawn from Heinrich Heine´s complex philosophical-political verse-epic. The technique of etching is not employed for reproductive purposes here, but as the original medium of pictorial composition.The artist succeeds in creating pictographic-abstract formulations that […]

In this episode of her “Enzyklopädie Personae”- project Kyung-hwa Choi-Ahoi attends the obsequies for the late George Valsamakis in Athens. He was a wholesaler of electrical appliance.

The list of outstanding illustrators who worked for the weekly supplement of the tabloid “Le Petit Journal”is impressive: Jose Belon, Charles Bombled, Henri Brispot, Eugene Damblans, Frederic Lix, Fortune Louis Meaulle, Henri Meyer, Lionel Royer, Osvaldo Tofani and Charles Gaston Yrondy. Most of them were trained history painters with a specific talent for catching the […]

In the late 1990s Canadian cartoonist Julie Doucet abandoned the medium of comic books and went back to printing. Woodcuts, linocuts, silkscreen printing, followed by an abundant production of artist’s books. “Der Stein” is one of the most incisive and enduring examples of contemporary private press or fanzine culture. It is written in bad German […]

What´s Come Over Old Woolworth? (Fortune, January 1969) “There are assignments for `Fortune´, where I am realistically and symbolically going up the corporate ladder at Woolworth´s. It starts with the stockboy, and I use chairs as a metaphor for power. The chairs become more and more elaborate as we go to top. The drawings where […]

In this adventurous episode of her “Enzyklopädie Personae”- project Kyung-hwa Choi-Ahoi accompanies two Austrian hunters on their nightshift in a deerstand.

The well-known writer and literary critic Charles Nodier, who was a close friend of the Duc d´Orleans, who had died shortly beforehand, was responsible for the text. The illustration work featured three of the most prominent exponents of artistic Orientalism, the two painters Adrien Dauzats and Gabriele Descamps and draughtsman Auguste Raffet. But the work […]

“Cynicus” was the penname of the Scottish cartoonist Martin Anderson, who became a successful cartoonist in London in the late 1880s. Critics praised him as the new Rowlandson, but when his hand-coloured “Cartoons Social and Political” appeared in 1893, he was blamed for being “almost brutal” in his directness. Their socialist impulse was promoted by […]

Impressions of a morning conference in the editorial office of The Guardian with editor-in-chief Alan Rusbridger. The British journal shook the foundations of Rupert Murdoch´s News Corporation by uncovering the phone-hacking scandal and was named newspaper of the year at the 2011 Press Awards for its partnership with WikiLeaks.

“Retraite de Constantine” was one of the most widespread examples of Auguste Raffet´s series of annual lithography albums. It was published in spring of 1837 by Gilhaut Freres and gives an account of the first failed attempts at conquering the Algerian fortress. The ignominious retreat of the French army in November 1836 was mainly blamed […]

In 1863 a new kind of journalism with particular emphasis on sensational news stories, the so called faits divers, was introduced to the French press landscape by the foundation of the daily “Le Petit Journal”. It´s editor M.P. Millaud had coined the much quoted phrase “dare to be stupid”. In the 1890s this leading French […]

In this episode of her “Enzyklopädie Personae”- project Kyung-hwa Choi-Ahoi observes the daily routine of a physician in the emergency department of the city hospital Husum.

In addition to a number of studies on the flora of the Lakes, two sketchbooks of Linton with landscape views have come down to us. One is in the collection of Yale University, another in the Linton-Archive of the Melton Prior Institute. The latter contains watercolours and drawings made during hikes in the North East […]

In this series of drawings and paintings of the archaeological work at the ancient hill of Munbaqa in Syria Dutch artist and archaeologist Theo de Feyter caught the situations and atmosphere which are characteristic for this kind of activity. The images depict the working procedures of the Syrian labourers and the members of the excavation […]

The series of drawings was made by the Korean artist Kyung-hwa Choi-Ahoi in the course of her “Enzyklopädie Personae”- project. Here she records the activities of the noted German actress Suzanne von Borsody behind the scenes of the Ernst Deutsch Theatre in Hamburg.

Following the traces of Honoré de Balzac, whose “Comédie humaine” was modelled on a theory of zoological species, Charles Lucien Léandre drafts a dire panorama of the Parisian Society as a freak show. His special edition for Samuel Schwarz´ anarchistic magazine “L Assiette au beurre” represents a late apocalyptic variation of a long tradition of […]

John Sell Cotman is mainly known for his groundbreaking retinal and neoclassical approach to landscape painting which showed him as an early precursor of Cezanne. In contrast, his huge body of etchings enjoys a rather bad reputation. It is said that his printed works, which he mainly executed in commission of his patron Dawson Turner, […]

“Weaver established the idea of the draughtsman being an equal to the writer of the text. He should have had a great influence on the world of text and image publishing, but for the most part, art directors and editors did not demand the kind of picture-writing that Weaver had in mind. In fact, few […]

By now, the “Enzyklopädie Personae”, a work in progress by Korean artist Kyung-hwa Choi-Ahoi, consists of 48 notebooks ( size A5), where she records her encounters with people from various contexts. On October 10, 2010 she met the imam of the Centrum Moschee in Hamburg, where she lives since 1994.

– encounter with a Zulu – punitive expedition – death of the Prince Imperial – Special Artists setting fire on a Kraal – the corpse of the Prince Imperial- Queen Victoria´s return from the Highlands in mourning – in search of King Cetewayo – the pursuit of Cetewayo – Cetewayo´s treasures – ambassadors from King […]

Daumier´s late cartoons on the Franco-Prussian war are counted among his best. They were inspired by Alfred Rethel´s famous wood-cut cycle “Dance of Death” and of course by Goya´s visionary etchings. The future relationsships between the newly founded German Reich and its neighbour provoked series of imaginative adaptions by some influential graphic artists like Henri […]

These drawings were made on-site on a stay in Moscow and the provincial towns around from July 08 to August 09 of 2009. The series focuses on Russia as a country of dramatic transitions, on the contrast between the remnants of its czarist and Soviet past and the current signs of a new global capitalist […]

The image of “Fortune” was deeply connected with a specific artistic American tradition of Social Realism. The Magazine was founded in 1939, in the era of the Great Depression and an art director like Leo Lionni, who was resonsible for the appearence of the magazine from 1940 on,updated this specific ethos by engaging illustrators like […]

Four different artists give pictorial informations about their experiences in Japanese prisoner-of- war camps: The German lance-corporal Willy Muttelsee spent four years, from 1916 – 1920, behind barbed wires in the refined atmosphere of the exemplary Bando camp on Shikoku island. The Dutch illustrator Charles Burki (1909 – 1994) was arrested in camp Fukuoka close […]

Émile Cohl (born as Émile Courtet) had a preference for the graphic depictions of metamorphoses and puzzles of all kinds. His best cartoons are included in the caricature magazine “La Nouvelle Lune”, which was founded by Cohls friend and mentor André Gill. After Gills mental breakdown in 1880 Cohl took on the editorship.He also contributed […]

From the mid-fifties on, Robert Weaver made constant contributions to the famous business magazine “Fortune”. “Fortune” kept a long tradition of brillant visual documentaries of industrial themes provided by artists like Walker Evans, Philip Guston, Robert Matta, Ben Shahn or Diego Rivera.

It was mainly Théophile Steinlen’s merit of having transformed the rather jovial style of the late Daumier into an effective and dramatic means of expression for socialist class struggle.The few cover illustrations which Steinlen made for “Le Chambard Socialiste” by using his anarchistic pen name “Petit Pierre” became milestones of the socialist art of the […]

In the end of 1958 famous graphic artist Robert Weaver was commissioned by the “Esquire Magazine” to accompany the Senate re-election campaign of John F. Kennedy with his sketch-pad and his pencil. As usual Weaver reworked his hasty, but very decided sketches later in his studio. The striking drawing, showing J.F.K. from behind in his […]

The art of William Heath Robinson can be qualified as an anarchic heightening of the inventions of the early masters of science fiction cartooning, of George Cruikshank and Albert Robida. In this collection of war cartoons, which appeared during the early stages of WWI, when the Trench warfare had just begun with its poison gas […]

The newspaper archive Horst Moser, Munich, holds several examples of early issues of the satirical magazine “Karagöz”, which bear witness to the high graphic quality of Ottoman caricature at the beginning of the 20th century. The attraction and popularity of caricature magazines continues unabated in Turkish society today. The two protagonists of the satirical magazine, […]

Because of its stylistic diversity, Heinz Zantis’ album is one of the most interesting examples of prison camp books in the collection . It was executed in the manner of a poetry album. Zantis was imprisoned in a special camp of the French government-in-exile for German non-commissioned officers in Ksar-es-Souk in Morocco from 1944 to […]

The sequence of images from Matthias Reinhold’s “Ikonolog” (www.ikonolog.de) represents the rhizomatic structural idea of his drawing project, which aims for infinite permeability and ramification. Aperspectival, organismic spatial experiences and observations of vegetative growth are poetically combined here with analytical fields of technical construction and explosion graphics, i.e. with ways of drawing that expose functional […]

At the age of over sixty, Theodor Rocholl ended his long career as a war artist taking part in the First World War. In his War Letters from the west front in Flanders, which were printed in 1916, he did not avoid describing fear and destruction. However, in the gouaches and watercolours of this propaganda […]

This portfolio with a small selection of watercolours, which Adolf Hitler painted in the course of his military service during World War I, was edited about 1935 by his official photographer Heinrich Hoffmann. It is assumed that Hitler was involved in the editing process. Even so, shortly after the appearance he withdrew and stopped the […]

The portfolio with a total of thirty-six large-format depictions of abandoned battlefields of the Prussian-French War was published in autumn 1871, approximately half a year after the French surrender. It was printed in four of Germany’s leading lithographic establishments, including W. Korn & Co. in Berlin and Charles Fuchs in Hamburg. The refinement of the […]

The dispute over animal experiments between the Bremen Senate and the university is escalating. Because they are “ethically not justified”, the Bremen Senate intends to definitively ban brain researcher Andreas Kreiter from his controversial monkey experiments at Bremen University; the university, on the other hand, insists on the freedom of research and wants to take […]

A so-called job opportunity with extra compensation is what Hamburg draughtsman Henrik Hold owes his intimate insights into the Kafkaesque underground world of the local magistrate’s court. All the drawings were made on site in spring 2007. (Textem Verlag, Hamburg has published a book reproducing this series of drawings in duotone).

Drawings by Albrecht Adam, Hubert von Herkomer, Frederic Theodore Lix, William Simpson, Melton Prior, Joseph Pennell and their representations in the Pictorial Press.

Some examples from a drawing cycle, made on location in a dissecting course of the Anatomy Department of Düsseldorf University at the end of 1989. “Except for a few sheets in DinA3 format, all sketches are drawn using 2B, 6B TK pens on DinA4 letter paper. With my drawing board hanging around me, I could […]

The book, published in a small edition in Israel in the early 1950s, is dedicated to the memory of the “Palmach” member Menachem Sofer. In 1948, during the Palestinian War, Sofer fought in this paramilitary unit of the Jewish underground organization “Hagana” and two years later became the victim of a lethal landmine accident.In his […]

Reinhard Doubrawa arbeitet seit 1997 an seiner «News»-Serie, einer fortlaufenden Reihe von Freihandzeichnungen, die nach Fotos des Nachrichtenmagazins «Der Spiegel» entstehen. Die Motive rücken das globale Zeitgeschehen in den Blick und erscheinen von der Spiegel-Redaktion gefiltert und thematisch inszeniert auf dem Höhepunkt ihrer Aktualität. Spätestens mit der neuen Ausgabe werden die Meldungen und Berichte jedoch […]

«Superdocumenta» was created in the winter of 1994, on an invitation by Gunter Reski, as a contribution to the Hamburg-related text reader «Team Compendium – Selfmade Matches. Selbstorganisation Bereich Kunst», ed. by Rita Baukrowitz and Karin Günther. Initially supposed to be a written text on the actuality of the curatorial principle developed by Harald Szeemann […]